Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo Le martyr de Saint Barthelemy Huile oil painting


Le martyr de Saint Barthelemy Huile
Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise
Painting ID::  71959
Giovanni Battista Tiepolo
Le martyr de Saint Barthelemy Huile
Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise
   
   
     

Giovanni Battista Tiepolo The Apotheosis of Saint Roch oil painting


The Apotheosis of Saint Roch
"The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
Painting ID::  72962
Giovanni Battista Tiepolo
The Apotheosis of Saint Roch
"The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     

Giovanni Battista Tiepolo Saint barthelemy oil painting


Saint barthelemy
Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf
Painting ID::  73376
Giovanni Battista Tiepolo
Saint barthelemy
Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf
   
   
     

Giovanni Battista Tiepolo Junge Frau mit Papagei oil painting


Junge Frau mit Papagei
c. 1758-1760 Oil on canvas cjr
Painting ID::  74987
Giovanni Battista Tiepolo
Junge Frau mit Papagei
c. 1758-1760 Oil on canvas cjr
   
   
     

Giovanni Battista Tiepolo Junge Frau mit Papagei oil painting


Junge Frau mit Papagei
English: c. 1758-1760 Medium Oil on canvas cyf
Painting ID::  76744
Giovanni Battista Tiepolo
Junge Frau mit Papagei
English: c. 1758-1760 Medium Oil on canvas cyf
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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